MohammadKashif Ali

Biography

Mohammad Kashif Ali is a locally born and raised Hong Kong Pakistani. He is currently working as a teaching assistant at PAOC Ka Chi Secondary School. He enjoys theatre, performing, pizza and going to the gym.

His most recent performance was in Hong Kong International Black Box Festival: New Youth Group One Fine Day (Beijing) organised by HKREP.

Previous Shows

Explore past productions and events

Best Scenography

Performance of the Year

Testimony

15/8/2019 至 18/8/2019

Testimony is a powerful devised work exploring the invisible history of Hong Kong's South Asian community, challenging systemic exclusion through art.

Collaborating Actor

Awards & Recognition

Awards and recognition for shows or achievemenets

Nominated for

Best Script

12th Hong Kong Theatre Libre (2019-2020)

Nominated for

Best Actor

IATC (HK) Critics Awards 2019

What Critics Say

Quotes from reviews and articles about us and our shows

Kashif exudes charisma. He lets his own personality shine through his performance, as he leaps between the roles of narrator and performer. He is very confident and integrates his personal characteristics and temperament into the drama. There are tears amidst the laughter. His performance, energetic from beginning to end, is a tour-de-force. The performance is funny and sad at the same time, and the audience experiences the same emotions.

— IATC (HK)

Gallery

Images featuring Mohammad Kashif Ali

A dramatic close-up of actor Mohammad Kashif Ali during a rehearsal for the contemporary Hong Kong theatre production Testimony (《山下的證詞》). His expression is one of intense distress, with wide eyes and a slightly open mouth, illuminated by stark stage lighting that creates high-contrast shadows against a dark background. "Testimony"

Mohammad Kashif Ali embodies a moment of intense emotional discovery during rehearsals for Testimony.

Promotional poster for the Rooftop Productions contemporary documentary theatre show 'Testimony' (《山下的證詞》). The image features a close-up portrait of performer Mohammad Kashif Ali, whose face is illuminated by a projection of rocky mountain terrain, symbolizing the connection between the Himalayas and Hong Kong's Lion Rock. The dramatic lighting emphasizes his contemplative gaze, highlighting themes of identity and the diaspora experience in Hong Kong theatre. Testimony poster.

Performer Mohammad Kashif Ali captures the interplay between the Himalayas and Hong Kong’s Lion Rock in this promotional poster for Testimony.

Actor Mohammad Kashif Ali portrays the complex narrative of South Asians in Hong Kong in Rooftop Productions' documentary theatre piece, Testimony.

In a scene from Rooftop Productions' contemporary Hong Kong theatre work 'Testimony' (《山下的證詞》), actor Mohammad Kashif Ali operates a wooden puppet on a dimly lit stage. The performance is set against a large-scale projected illustration depicting a scene from the Mahabharata, with text reading, 'So the next in line should have been Yudisthira'. The atmospheric lighting highlights the intimate interaction between the performer and the puppet, capturing the essence of this experimental stage performance.

Mohammad Kashif Ali navigates the lineage of Yudisthira through puppetry in this experimental staging of Testimony.

Two actors, Mohammad Kashif Ali and Ng King Lung, perform on a dimly lit stage during a production of Rooftop Productions' play, 'Testimony'. The actors, dressed in casual gray shirts, stand against a stark black backdrop with a projected subtitle that reads: 'I can't read Chinese; I can't play Chinese-looking people.' This poignant moment reflects the core themes of the contemporary Hong Kong theatre performance.

Mohammad Kashif Ali and Ng King Lung confront the complexities of cultural belonging in this pivotal scene from 'Testimony', grappling with the provocative realization: 'I can't read Chinese; I can't play Chinese-looking people.'

In a dramatic scene from the Rooftop Productions (天台製作) performance of 'Testimony' (《山下的證詞》), actor Mohammad Kashif Ali stands on a dimly lit stage, his body angled toward a central table cluttered with theatrical props and lighting equipment. Bathed in a sharp, bright spotlight from above, he gestures with his hands in an expressive, storytelling motion, capturing the intense and reflective mood of this contemporary Hong Kong theatrical production. 'Testimony'

Mohammad Kashif Ali delivers a powerful performance in this pivotal scene from Rooftop Productions' Testimony.

In a dramatic scene from Rooftop Productions' contemporary theatre piece 'Testimony' (《山下的證詞》), a performer sits in a lotus position on a chair in the center of the stage, bathed in a sharp, blue spotlight. Behind him, a massive, out-of-focus projection of his face mirrors his contemplative expression. To his right, another actor kneels on the dark stage, also lit in cool, blue tones, contributing to the atmospheric staging of this Hong Kong stage performance. 'Testimony'

Mohammad Kashif Ali and Basnet Tusar embody the weight of their characters in this striking sequence from Testimony.

A dramatic stage scene from Rooftop Productions' contemporary Hong Kong theatre play, 'Testimony' (《山下的證詞》). In the center, actor Mohammad Kashif Ali stands alone in a harsh, bright spotlight, wearing a t-shirt and trousers with a pensive, slightly weary expression. To the left, a performer interacts with a camera, projecting a distorted, blue-tinted live video feed onto a large screen behind the stage, which displays the Chinese and English text '小子, 身份證 / Kid, ID card.' To the right, another figure stands in the shadows. The staging highlights themes of surveillance and identity common in contemporary local performance art. Testimony

Mohammad Kashif Ali navigates the tension of identity and surveillance in this haunting scene from Testimony.

On a dark, atmospheric stage illuminated by focused spotlights, actor Mohammad Kashif Ali delivers an expressive performance for Rooftop Productions' contemporary Hong Kong play, Testimony. He stands center stage in a grey t-shirt and light trousers, gesturing with both hands as if narrating a poignant moment, while fellow cast members are silhouetted in the background with musical instruments. 'Testimony'

Mohammad Kashif Ali delivers an expressive performance in this pivotal scene from Rooftop Productions' Testimony.

In a dramatic scene from Rooftop Productions' contemporary theatre piece 'Testimony' (《山下的證詞》), actor Mohammad Kashif Ali (巫加沙) stands center stage under sharp, low-key lighting, gesturing expressively as he delivers a monologue. Behind him, another performer stands on a raised platform, while a large projection displays the translated text: 'I mean I wasn't with them'. A camera operator is visible on the left, highlighting the multimedia nature of this Hong Kong stage production. As the performer speaks, he declares: 'Testimony'

Mohammad Kashif Ali delivers a gripping monologue in Testimony, exploring the complexities of memory and truth on stage.

Close-up of actor Mohammad Kashif Ali performing in Rooftop Productions' contemporary theatre piece 'Testimony' (《山下的證詞》). Bathed in intense, dramatic stage lighting, he holds a microphone near his mouth, while a piece of black tape is visibly applied to his chin, adding a striking, raw aesthetic to the performance. His intense expression captures the heavy, emotional weight of the production. 'Testimony'

Mohammad Kashif Ali delivers a raw, haunting testimony in this striking moment from our contemporary production.

A dramatic stage shot from Rooftop Productions' contemporary theatre performance, 'Testimony' (《山下的證詞》). Actor Mohammad Kashif Ali stands on stage in a simple grey t-shirt and white skullcap, his expression one of intense focus and vulnerability as he addresses the audience. Behind him, a large, moody blue-toned projection depicts a street scene with traditional Hong Kong architecture and Chinese signage, creating a powerful juxtaposition between the performer and his environment. 'Testimony'

Mohammad Kashif Ali delivers an intimate performance in Rooftop Productions' 'Testimony', reflecting on the echoes of the city.

In a dramatic scene from Rooftop Productions' contemporary theatre piece 'Testimony' (《山下的證詞》), actor Mohammad Kashif Ali stands center stage, illuminated by a spotlight while holding a microphone. He is dressed in a simple grey t-shirt, gesturing with his left hand as he delivers an intense, emotional monologue. In the darkened background, another performer is silhouetted and bathed in an eerie green light, emphasizing the production's evocative stagecraft. 'Testimony'

Mohammad Kashif Ali delivers an intense, haunting monologue in Rooftop Productions' latest piece, 'Testimony'.

A dramatic stage shot from Rooftop Productions’ contemporary theatre performance 'Testimony' (《山下的證詞》). Actor Mohammad Kashif Ali, wearing a white skullcap, glasses, and casual attire, sits barefoot on a wooden chair against a dark background. Behind him, a projection of a stark, green-tinted building facade evokes a tense, war-torn atmosphere. The performer appears to be delivering a powerful monologue, capturing a moment of profound vulnerability and reflection. As the performer says: "I pulled him down 'please please don't look, there's fire incoming'"

Mohammad Kashif Ali captures the raw tension of conflict in Testimony: 'I pulled him down, please, please don't look, there's fire incoming.'

Mohammad Kashif Ali captures a moment of quiet contemplation in Rooftop Productions' 'Testimony'.

A dramatic stage shot from Rooftop Productions' contemporary theatre piece 'Testimony' ('山下的證詞'). The performer Mohammad Kashif Ali stands center stage, illuminated by soft lighting against a deep blue backdrop featuring a large, glowing projection of a Pakistani passport. He gestures calmly while speaking, his expression earnest and contemplative. As the performer speaks to the audience, he says, 'Actually this isn’t my English name, it’s an Arabic name.'

Mohammad Kashif Ali reflects on identity and nomenclature in this pivotal scene: 'Actually this isn’t my English name, it’s an Arabic name.'

Mohammad Kashif Ali embodies the introspective core of 'Testimony,' featuring a mountain projection that reflects the show's layered storytelling.

A dramatic stage scene from Rooftop Productions' contemporary theatre piece 'Testimony' ('山下的證詞'). In a dimly lit space, actor Ng King Lung stands atop a chair, looking intently at a large projection screen displaying the text 'YANKEE708546(9), last number 9 over. Don't get into trouble.' Beside him, actor Mohammad Kashif Ali stands in the foreground, hands clasped behind his back, looking reflectively toward the side of the stage. As the actor on the chair delivers his line, he says, "Anyway, that was the only funny experience I had with the police."

Ng King Lung and Mohammad Kashif Ali navigate the tensions of the past, with Ng reflecting: 'Anyway, that was the only funny experience I had with the police.'

A dramatic close-up portrait of actor Mohammad Kashif Ali on stage for the Rooftop Productions (天台製作) performance of 'Testimony' (《山下的證詞》). He is illuminated by high-contrast theatrical lighting, with a piece of dark tape placed over his mouth to suggest themes of silencing and censorship in contemporary Hong Kong theatre. He holds a microphone near his chin, his intense gaze directed toward the audience. He says, 'Oh, they are not that different, pretty normal!'

Mohammad Kashif Ali embodies the silencing of the individual in 'Testimony,' challenging the audience with the observation: 'Oh, they are not that different, pretty normal!'

A dramatic stage photo from Rooftop Productions' contemporary theatre piece 'Testimony' (《山下的證詞》). In the foreground, actor Mohammad Kashif Ali stands under a spotlight, holding a microphone and looking intensely toward the audience. Behind him, a large projection on a screen depicts a silhouette of a performer against a deep red curtain. The scene captures a powerful moment of reflection, as the actor speaks the line: 'I am in the middle, so I can see both worlds'.

Mohammad Kashif Ali stands in the spotlight for a poignant reflection: 'I am in the middle, so I can see both worlds.'

In a dramatic scene from Rooftop Productions' contemporary theatre piece 'Testimony' (《山下的證詞》), actor Mohammad Kashif Ali sits on a simple wooden chair center-stage, illuminated by a stark spotlight in an otherwise dark, minimalist theatre space. He wears a grey t-shirt and light-colored trousers, gesturing expressively with his hands while narrating a historical account. Behind him, a large projection displays a vintage, high-contrast photograph of the 'Sha Tau Kok Police Station' with text referencing the events of 1967. As the performer reflects on this historical moment in the play, he recounts, '1000 people came to Sha Tau Kok village, came shouting, along the border.'

Mohammad Kashif Ali channels the tension of 1967: '1000 people came to Sha Tau Kok village, came shouting, along the border.'

In a dramatic scene from Rooftop Productions' contemporary theatre piece 'Testimony', actor Mohammad Kashif Ali stands in the foreground, his expression intense and pained. Behind him, another performer is softly illuminated in the shadows, while a colossal, high-contrast blue-toned projection of a face looms over the stage, adding a haunting, immersive layer to this Hong Kong stage performance. Mohammad Kashif Ali speaks the line: "So the first time I got checked it was downstairs at my home"

Mohammad Kashif Ali relives a personal moment of systemic scrutiny in 'Testimony': 'So the first time I got checked it was downstairs at my home.'

In a rehearsal for Rooftop Productions' contemporary theatre piece 'Testimony' (山下的證詞), a performer manipulates a minimalist, rough-hewn puppet on a dark stage illuminated by dramatic, moody spotlighting. The actor, Mohammad Kashif Ali, focuses intently on the puppet's wooden limbs while another performer supports the head, evoking a sense of ancient storytelling brought into a modern HK theatre context. The scene captures the philosophical inquiry: "But what did Krishna say to Arjun?"

Mohammad Kashif Ali navigates the ancient dialogue of the Bhagavad Gita in this rehearsal for Testimony. But what did Krishna say to Arjun?

In a dramatic scene from Rooftop Productions' contemporary theatre piece 'Testimony' (《山下的證詞》), actor Mohammad Kashif Ali stands on a dark, minimalist stage illuminated by dramatic, high-contrast spotlighting. He gestures with his hands while speaking, positioned in front of a large, dimly glowing digital backdrop featuring an image of a green Pakistani passport. As he shares his personal story, he reflects on his identity, saying, "My English name is Mohammad Kashif Ali."

Mohammad Kashif Ali reflects on his personal history in this pivotal scene from 'Testimony', stating, 'My English name is Mohammad Kashif Ali.'

Promotional video thumbnail for the contemporary Hong Kong theatre production 'Kashif - Testimony', featuring a widescreen cinematic shot of the lead actor looking upward with an engaged, expressive smile. The background is a plain, warm-toned wall displaying the name 'KASHIF ALI' handwritten in bold, black marker, reflecting the raw, documentary-style aesthetic of Rooftop Productions (天台製作).

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